Eva C. – alias Martha Beraud
Famous French materialization medium, known also as "Marthe Béraud." Eva's real name was Eva Carrière (Waespé by marriage). She was the daughter of an officer and the fiancée of Maurice Noel, who died in the Congo before the marriage could take place. Her psychic powers were discovered by Noel's parents, General Noel and his wife.
General and Mrs. Noel were greatly interested in psychical research and, in the presence of invited mediums at the Villa Carmen, witnessed the materialization of a helmeted phantom, "Bien Boa," a Brahman Hindu said to have died some 300 years previously and who styled himself as the spiritual guide of the Noel family. A "sister" of the phantom, "Bergoglia," who also manifested, later hinted that "Bien Boa" was an assumed name of someone who had figured in Mrs. Noel's life in an earlier incarnation. Indeed, Mrs. Noel claimed a share of credit for Bien Boa's appearances and said that either by the séance table or by direct writing Bien Boa always declared that she was the true medium at early séances.
When the powers of Marthe Béraud were first discovered, a period of two years of experimentation commenced, and Mrs. Noel published many notes on the phenomena in Gabriel Delanne's Revue Scientifique et Morale du Spiritisme. Then the Noels and Béraud invited Charles Richet and Delanne to visit Algiers as their guests.
The séances were held in an isolated building over a stable behind bolted windows and doors. A curtain was thrown across one corner of the room to improvise a cabinet. As a rule a young black woman, Aischa, sat with Béraud behind the curtain, but Richet has said that in the more effective experiments Aischa was not present. Béraud was not tied and wore a thin dress. By making magnetic (i.e., mesmeric) passes to awaken her from her trance, Richet passed his hand all over her body and made sure that she had nothing hidden on her. The presence of Aischa, of which Mrs. Noel made a point, greatly annoyed the medium, who complained that in the tropical heat the odor of the woman was unbearable.
The materializations produced were very complete. Bien Boa appeared five or six times and offered opportunities for many important observations and experiments. Richet's report, published in the April 1906 issue of the Annales des sciences psychiques, created an immense sensation. He was satisfied that he had witnessed genuine phenomena and that Marthe Béraud could not have masqueraded in a helmet and sheet in the guise of Bien Boa. Besides, he asserts in the report, the medium and the phantom were also seen together when no stranger could have entered the room: "I make a point of this, because of the assertions of Areski, an Arab coachman dismissed by General Noel for theft, who said that he 'played the ghost.' A certain starveling practitioner of Algiers, Dr. R., was ill-advised enough to entertain this man and to exhibit him in public at Algiers in a white mantle to play the ghost before spectators. That is the most that had been said against the experiments at the Villa Carmen. The general public blinded by ignoble newspaper tales, imagined that the fraud had been exposed. All that was really proved was that an Arab thief could lie impudently, that he could put on a sheet, could appear thus on a stage, and could get a doctor to endorse his lies. It is averred also that Marthe confessed fraud to an Algerian lawyer who took a pseudonym. But even if this anonymous allegation were true, we know the value to be placed on such revelations, which only show the mental instability of mediums."
Futhermore, according to a Dr. Z., Areski entered the séance room with the rest of the company, and when their attention was diverted by the examination of the furniture, he slipped behind the cabinet and hid behind the curtain. Richet replied to this specific charge, "Now, I declare formally and solemnly that during the séances—twenty in number—at which I was present, Areski was not once permitted to enter the séance room." The later "confession" of Marthe Béraud was alleged to contain a statement about a trapdoor. According to Richet, Béraud has never wrote or said that there was a trapdoor.
Besides the phantom of Bien Boa, a beautiful Egyptian girl also materialized and allowed Richet to cut a lock of her hair. "As I was about to cut a lock high up" stated the professor, "a firm hand behind the curtain lowered mine so that I cut only about six inches from the end. As I was rather slow about doing this, she said in a low voice 'quick, quick' and disappeared." The second important phase of Béraud's mediumship developed under the care of sculptor Juliette Bisson, to whom Béraud had been introduced in 1908. It has been suggested that Bisson and Béraud shared a lesbian relationship following the death of Bisson's husband in 1910. In any case, they lived and worked together.
Between 1909 and 1913 Béraud, by then known as "Eva C.," centered her mediumship on materializations. Joint experiments by Richet and Baron Schrenck-Notzing, with Bisson always present, built upon previous observations and elucidated several obscure points. The period also afforded an added opportunity for Richet to check his earlier findings. During her trances the medium appeared to suffer much, writhing like a woman in childbirth, and her pulse rose from 90 to 120. The materializations, under the control of an entity named "Berthe," were always slow and seemingly difficult. Very few forms were well developed or remained for a long time. All this was in striking contrast with the ease of former years. Perhaps the rigor of the control had to do with this. Eva C. had to put on special dresses. She was subject, both before and after the séance, to meticulous medical examination and often sat nude. A battery of eight photographic cameras, two of them stereo-scopic, were trained on her, and 225 valuable photographs were secured when it was discovered that the séances could be held in comparatively good light, provided the medium was shielded from a sudden flash. At certain times the ectoplasmic mediumship alternated with remarkable phenomena of the intellectual type. She read automatically on an imaginary screen (like that of a cinema) pages of philosophy that greatly exceeded her normal knowledge and power.
Regarding a séance of April 15, 1912, held in the presence of Count Cesar de Vesme and Bisson, Richet is quoted as follows: "The manifestations began at once. White substance appeared on the neck of the medium: then a head was formed which moved from left to right and placed itself on the medium's head. A photograph was taken. After the flashlight, the head reappeared by the side of Eva's head, about sixteen inches from it, connected by a long bunch of white substance. It looked like the head of a man, and made movements like bows. Some 20 appearances and reappearances of this head were counted; it appeared, retreated into the cabinet, and emerged again. A woman's head then appeared on the right, showed itself near the curtains, and went back into the cabinet, returned several times and disappeared."
Richet adds, "Marthe was examined and searched before and after the experiments. I never lost sight of her for a moment and her hands were always held and visible."
To eliminate every possibility of fraud Baron Schrenck-Notzing employed detectives for several months to watch for any suspicious circumstances in Eva's life. To answer the charge that the ectoplasm of Eva C. was regurgitated material, a strong emetic was administered on November 26, 1913, after the ectoplasmic flow reentered her mouth. Ten minutes later the experimenters were satisfied that the medium swallowed nothing with which the phenomena could have been produced.
Another important series of experiments took place in 1917-18 in the laboratories of Gustav Geley with Bisson's collaboration. About 150 representative individuals, including many scientists, witnessed the phenomena. In his From the Un-conscious to the Conscious (1920), Geley observes: "It is needless to say that the usual precautions were rigorously observed during the séances in my laboratory. On coming into the room where the séances were held, and to which I alone had previous access, the medium was completely undressed in my presence, and dressed in a tight garment, sewn up the back and at the wrists; the hair, and the cavity of the mouth were examined by me and my collaborators before and after the séances. Eva was walked backwards to the wicker chair in the dark cabinet; her hands were always held in full sight out-side the curtains and the room was always quite well lit during the whole time. I do not merely say: There was no trickery; I say there was no possibility of trickery. Further, and I cannot repeat it too often, nearly always the materializations took place under my own eyes, and I have observed their genesis and their whole development."
He adds in a footnote: "I am, moreover, glad to testify that Eva has always shown, in my presence, absolute experimental honesty. The intelligent and self-sacrificing resignation with which she submitted to all control and the truly painful tests of her mediumship, deserve the real and sincere gratitude of all men of science worthy of that name."
The results of these experiments were the subject of a conference at the College of France, published under the title La Physiologie dite Supranormale (Bulletin de l'Institut Physiologique, January-June 1918.
In 1920 Eva C. and Bisson spent two months in London. Of 40 séances given to the Society for Psychical Research, half were entirely blank, the rest very weak. As a result, the regurgitation theory was again put forward as a possible explanation. Of the London work, in his Thirty Years of Psychical Research (1923), Richet states: "The official reports of the séances lead to very distinct inferences; it seems that though the external conditions were unfavorable to success, some results were very clear and that it is impossible to refer the phenomena to fraud. Nevertheless, our learned colleagues of the SPR came to no conclusion. They admit that the only possible trickery is regurgitation. But what is meant by that? How can masses of mobile substance, organized as hands, faces and drawings, be made to emerge from the oesophagus or the stomach? No physiologist would admit such power to contract those organs at will in this manner. How, when the medium's hands are tied and held, could papers be unfolded, put away, and made to pass, through a veil? The members of the SPR, when they fail to understand, say 'It is difficult to understand how this is produced.' Mr. Dingwall, who is an expert in legerdemain, having seen the ectoplasm emerge as a miniature hand, making signs before disappearing, says 'I attach no importance to this.' We may be permitted to remark that very great importance attaches to Mr. Dingwall's testimony."
In 1922, 15 sittings with Eva C. took place at the Sorbonne. Thirteen sittings were totally blank and the committee returned a negative report. After the death of Geley in 1924, there was a whispering campaign that some very suspicious photographs of Eva C. had been found among his papers, suggesting the possibility of fraud by the medium and contradicting Geley's published laudatory reports. In fact, his unpublished papers revealed that Bisson had been Eva C.'s active accomplice in fraud, and his pictures plainly showed wires attached to her hair that supported the materialized forms. However, Eva C.'s supporters countered with the published evidence of the 200 photographs and the careful reports of Schrenck-Notzing.
On the whole, the mediumship of Eva C. remains a matter of controversy. The materializations of Bien Boa in 1905 appear crude and suggest fraud, as do the Geley papers and pictures. On the other hand, the careful investigations and remarkable photographs of materialization obtained by Schrenck-Notzing cannot be so easily dismissed. In the end, Eva C. seems to be another clever fraud who was able to confound some of those who observed her séances and lacked the training or resolve to uncover her methods. The inability of Eva C. to manifest under tightly controlled conditions, along with the lack of supporting evidence for the existence of ectoplasm, make a most damning case against her.
Berger, Arthur S., and Joyce Berger. The Encyclopedia of Parapsychology and Psychical Research. New York: Paragon House, 1991.
Brandon, R. The Spiritualists. New York: Alfred A. Knopf, 1983.
Geley, Gustav. Clairvoyance and Materialisation: A Record of Experiments. London, 1927. Reprint, New York: Arno Press, 1975.
Houdini, Harry. A Magician Among the Spirits. New York: Harper, 1924. Reprinted as Houdini: A Magician Among the Spirits. New York: Arno Press, 1972.
Lambert, Rudolf. "Dr. Geley's Report on the Medium Eva C."
Journal of the Society for Psychical Research 37, no. 682 (November 1954).
Richet, Charles. Thirty Years of Psychical Research. London, 1923. Reprint, New York: Arno Press, 1975.
Schrenck-Notzing, Baron A. von. Phenomena of Materialisation: A Contribution to the Investigation of Mediumistic Teleplastics. London and New York, 1920. Reprint, New York: Arno Press, 1975.
Fodor, Encyclopedia of Psychic Science
Gale Encyclopedia of Occultism & Parapsychology:
Carrière nude in a séance with cardboard cut out figure of King Ferdinand of Bulgaria.
Béraud was the daughter of a French officer and was the fiancée of General Elie Noël's son, Maurice, who died in the Congo from tropical disease in 1904 before the marriage could take place. Béraud was living with General Noël and his wife at Villa Carmen in Algiers and claimed her mediumship ability had developed after the death of her fiancé.
In 1905 she held a series of séances at Villa Carmen and sitters were invited. In these séances she claimed to materialize a spirit called Bien Boa a 300 year old Brahmin Hindu, however, photographs taken of Boa looked like the figure was made from a large cardboard cutout. In other sittings Charles Richet reported that Boa was breathing, had moved around the room and had touched him, a photograph taken revealed Boa to be a man dressed up in a cloak, helmet and beard.
A newspaper article in 1906 had revealed that an Arab coachman known as Areski who had previously worked at the villa had been hired to play the part of Bien Boa and that the entire thing was a hoax. Areski wrote that he made his appearance into the room by a trapdoor. Béraud had also admitted to being involved with the hoax.
In 1909 Béraud changed her name to Eva Carrière (Eva C) and began a new career as a medium to hide the fraud of her past.
Carrière's psychic performances were investigated by Arthur Conan Doyle, author of the Sherlock Holmes mystery series. He believed that her performances were genuine and that she was not engaged in any deception. Another psychic investigator of the time, Harry Houdini, observed one of her séances and asserted that they were fraudulent. Houdini was never convinced by Carrière and likened her performance to a magician's trick, the Hindu Needle Trick.7]
The psychical researcher Gustav Geley investigated Carrière and wrote she was a genuine medium but never-published photographs were discovered after Geley's death which revealed fraudulent activity from the medium's companion, Juliette Bisson, such as wires seen running from Carrière's head supporting fake ectoplasm. Another researcher Albert von Schrenck-Notzing also investigated Carrière and believed the ectoplasm she produced was genuine. The psychiatrist Mathilde Ludendorff wrote that the experiments of Schrenck-Notzing were unscientific and that he had been duped by tricks of Carrière. In the Schrenck-Notzing mediumship sessions with Carrière the scientific controls were scarce and there was evidence that she had freed her hands in the séance room.
Carrière has been described as "perverse and neurotic". She was well known for running around the séance room naked indulging in sexual activities with her audience. Her companion Juliette Bisson (1861–1956) would, during the course of the séance sittings with Schrenck-Notzing, introduce her finger into Eva's vagina to ensure no "ectoplasm" had been loaded there beforehand to fool the investigators, and she would also strip nude at the end of a séance and demanded another full-on gynecological exam.
It has been noted that the mediumship sessions of Carrière with Schrenck-Notzing were pornographic. The photographs that were taken during the séances show Carrière in the nude emerging from her cabinet and others revealing fake ectoplasm strings hanging from her breasts. Another photograph taken revealed ectoplasm in the shape of a deflated, and disembodied penis. Juliette Bisson and Carrière were in a sexual relationship together, and they both worked in collaboration with each other to fake the ectoplasm anderoticize their male audience.
In 1920, Eric Dingwall with V. J. Woolley tested Carrière in London. The results were negative and it was discovered that her ectoplasm was made from chewed paper. Harry Price wrote the photographs of her ectoplasm taken with Schrenck-Notzing look artificial and two-dimensional made from cardboard and newspaper portraits and that there were no scientific controls as both her hands were free. In 1920 Carrière was investigated by the Society for Psychical Research in London. She was also investigated in 1922 and the result of the tests were negative.
Donald West wrote that the fake ectoplasm of Carrière was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs. A photograph of Carrière taken from the back of the ectoplasm face revealed it to be made from a magazine cut out with the letters "Le Miro". The two-dimensional face had been clipped from the French magazine Le Miroir. Back issues of the magazine also matched some of Carrière's ectoplasm faces. In 1913 Miss Barkley in an article in the newspaper Neue Wiener Tagblatt had exposed the fraud of Carrière:
In 1954, the SPR member Rudolf Lambert published a report revealing details about a case of fraud that was covered up by many early members of the Institute Metapsychique International (IMI). Lambert who had studied Gustav Geley's files on Eva Carrière discovered photographs depicting fraudulent ectoplasm taken by her companion Juliette Bisson. Various "materializations" were artificially attached to Eva's hair by wires. The discovery was never published by Geley. Eugene Osty (the director of the institute) and members Jean Meyer, Albert von Schrenck-Notzing and Charles Richet all knew about the fraudulent photographs but were firm believers in mediumship phenomena so demanded the scandal be kept secret.